Cabo traffic’s night moves
Canon 5DIII with a Canon 24mm f/1.4 lens: 1/10th of a second at f/4.5 on ISO 640
Cars, motorcycles, buses and rickshaws swung by me one evening while I was in the heart of Cabo San Lucas. With the neon signs hanging above many of the shops and the sky still deep blue, I didn’t want to pass on the opportunity to drag my shutter and play with what images I could create.
Canon 5DIII with a Canon 24mm f/1.4 lens: 1/6th of a second at f/5 on ISO 640
Canon 5DIII with a Canon 24mm f/1.4 lens: 1/5th of a second at f/13 on ISO 1600
Canon 5DIII with a Canon 24mm f/1.4 lens: 4/10ths of a second at f/5.6 on ISO 200
When practicing motion photography, I like to try different techniques. I switch between keeping the subject sharp by panning in sync with its movement and panning out of sync so that only a small part is sharp or the whole thing has a large or small amount of blur that pushes the image into an abstract shot.
Canon 5DIII with a Canon 24mm f/1.4 lens: 1/15th of a second at f/4 on ISO 640
Canon 5DIII with a Canon 24mm f/1.4 lens: 1/6th of a second at f/3.5 on ISO 640
Canon 5DIII with a Canon 24mm f/1.4 lens: 3/10ths of a second at f/8 on ISO 640
Canon 5DIII with a Canon 24mm f/1.4 lens: 1/4th of a second at f/10 on ISO 1600
Canon 5DIII with a Canon 24mm f/1.4 lens: 1/6th of a second at f/13 on ISO 1600
For the better part of an hour, the traffic kept me happily occupied while I waited for my bus to arrive.
Canon 5DIII with a Canon 24mm f/1.4 lens: 1/15th of a second at f/6.3 on ISO 3200
Blurred lines downtown
Fuji X100s – 1/30th of a second, f/2.0 at iso 1250
Last week I was downtown for the day and before leaving the urban cacophony spent a bit of time dragging my shutter among my fellow commuters. It had been quite a long time since I was downtown during the evening rush hour and I enjoyed panning with the C-trains, shooting in the middle of the cross walk and looking for ways to capture the movements of people and their conveyances.
Fuji X100s – 1/15th of a second, f/2.0 at iso 640
Calgary commutes: driving out of downtown
Fuji X100s + 23mm lens: 1 second at f/11 on ISO 200
The Plus 15 walkways which are ~5 metres above Calgary’s street level connect the majority of buildings downtown. This allows people to avoid going outside during cold winter days and provides a great vantage point for watching the bright, orderly retreat of workers from their offices to their homes.
Fuji X100s + 23mm lens: 1/4 of a second at f/5.6 on ISO 3200
I played around with longer exposures (wishing I had a way to counter the slight bounce in the skybridge due to my fellow Plus 15 pedestrians) and had a moment to appreciate a benefit of the early sunsets that come with the winter months and daylight savings time.
Calgary’s cityscape at dawn
The sky to the east was beautiful this morning. I had a chance to photograph from a good elevation which let me see the horizon towards the east and the downtown cityscape in the other direction. I loved the explosion of color in the clouds preceding the sunrise and those added nice reflections in some of the glass facades of Calgary’s prominent buildings.
Downtown in Motion
The morning’s are still dark when I’m downtown so the lights from the buildings and the vehicles create these illuminated pools. With a longer shutter speed, I sometimes play with stretching these pockets of lights while capturing the motion of vehicles driving around Calgary’s streets.
I like photographing things in motion, particularly trains. So, I snuck one C-Train long exposure in this post too.
Down the alleys with a superhero
Thursday night I was downtown photographing night scenes. Hunched over my camera, concentrating on some abstract composition my attention was torn away by a blur of motion above me. Looking up, I saw a flash of red and then… nothing.
I climbed up a fire escape on a lovely old brick building and that’s when I had a good look at the cause of my distraction. He landed on the flight of stairs above and then leaped over the railing (as seen above).
At this point he was well positioned for an action pose and I managed to take one photo as he was staring at me. A second later and he was scaling another wall up towards the roof top. Keeping up to him without a jet pack, flying surfboard or some other speedy contraption was unlikely so I just stood and watched as he spun a web and swung out of sight.
I went back down the escape and walked around the corner keeping an eye out for the webbed one. I turned around intent on heading up the alley and saw him scaling a brick wall. After clearing the doorway our neighbourhood friend launched upwards into the darkness where I lost him again.
I didn’t see the masked vigilante for a little while and thought he might have gone. I was heading back to my car when I looked back over my shoulder and caught a sliver of his mask peering around a gate entrance. I carried on to my car in one of the city’s underground parkades and was still rather surprised when the man spider ran down a line of parked cars and vaulted over my car. I wish I had captured the whole sequence but I was only able to take one sharp shot.
At that point I was thinking that my chance encounter wasn’t chance. I know photography was one of this particular superhero’s interests but I can’t say whether he was watching me out of curiosity about just what I was photographing or if he thought I may be a villain up to no good. I should have asked, not that it was likely he would have responded. When I pulled out of the garage, I had one last good look at this mysterious fellow.
I wasn’t thinking about it in the moment but, looking at the pictures, I wonder why he wasn’t in full outfit – was he just exercising a little after the day job, the superhero’s equivalent of going out for a stroll? No idea, these and other questions are still puzzling around in my mind. The imagination wanders… it was a very interesting evening.
Calgary Cityscapes: Street Scenes Downtown
I’m often downtown in the morning before dawn and occasionally in the evening after the sun sets. I’m always intrigued with the mingling of buildings, vehicles, street lights and deep blue sky as graphic elements during these walks to and from work. Occasionally, I notice when they align and present me with an interesting scene. Here are a few of the photographs I have made from these moments.
Stormy Morning in Downtown Calgary
I was in downtown Calgary the morning after our first winter storm on Thursday. It was our first real snowstorm in a few weeks and the moody overcast light inspired a couple of images as I made my way along Stephens Avenue.
These silhouettes of the other commuters created nice abstracts for a final image on the morning.
The Calgary Stampede is almost here!
With the regular excitement leading up to Stampede amplified by the attendance of the young royals during their honeymoon tour across Canada, Calgary is in great spirits right now. The Stampede Parade this morning kicks off the crazy ten day party. Rick Hansen is the Parade Marshal which is an inspiring choice. Canada’s Man In Motion will no doubt add more fuel to the fire in the city.
As the Stampede gets closer, more people start to don their Western attire and businesses deck their store fronts (and walls, alleys, staff, windows, etc.) with fanciful cowboy characters, horses and chuckwagons (mostly artwork but there are living embodiments if you go to the right bar or corporate lobby). One of my favourite decorations is this cowboy that Canadian Pacific Railway perches on top of their black locomotive that is set along 9th Avenue in front of their offices in the Gulf Canada Square building on 4th street.
This year I have a few framed prints showcased at the Western Photo Gallery which is one of the five areas of the Western Art Show at the Stampede. I was there for an opening party on Wednesday night and the artwork on display was incredible. Some of the paintings and sculptures are truly incredible. If you visit the Western Showcase in Halls D and E in the BMO Centre at the Stampede Park you will have a great opportunity to see the work of some incredible artists – and a couple of nice photographs too!
I have been accredited to photograph the rodeo and the chuckwagon races for the second time this year. Thank you to Dwayne Zaba and Roy Anstey at Bragg About the Creek magazine for your sponsorship. I can’t wait to get on the rail to watch these events – I didn’t grow up competing but had a number of cousins who did so I appreciate the level that both the animals and the people perform at during the Stampede. I’m sure I will be posting a few images over the next couple of weeks.
If you are in Calgary and make it to the Stampede this year, I hope you have a great time. If you aren’t, try to visit sometime down the road, I don’t argue with their slogan, “The Greatest Outdoor Show on Earth”.
Quartering a Window Taxi
Along 9th Avenue in downtown Calgary, Gulf Canada Square’s dark panes of glass often provide a large mirror that abstracts the traffic heading east on the one way road.
I watched traffic for a while, looking down from the 12th floor of Banker’s Hall, until this taxicab drove by distinctive and separated from the other vehicles in that moment. The slight curvatures of the glass did the real work to create this warp of a simple scene.
Calgary’s Downtown Core at Sunset
I was out on a windy hill east of Calgary’s downtown core on Monday night photographing the city center at sunset. There were some great clouds that soaked up the light to create some beautiful hues that reflected into the buildings. As the sun fell, stray light would find a clear patch through the clouds and then bounce around the glass on the buildings. A beautiful scene to photograph, here are a few from the evening.
Although it is no longer the tallest building along the skyline, the Calgary Tower is still an icon for the city. This is a different look at the building as dusk quickly advanced.
A view of the whole downtown as the sunlight waned.
A Driver’s Wave
I panned with this train as it slid through downtown Calgary, working to keep the front sharp. When I reviewed the photograph, I liked the driver’s wave to his counterpart on the just passed train. A detail I didn’t see in the moment.


































