Watching the dusk fade from the east side of Calgary, the color in the sky softened into pastels. The city’s lights glowed and cast tall stalks of grass into silhouette. It strikes me a little melancholy looking at it now – and beautiful.
Using a headlamp’s red light, I painted this fence and illuminated the sign during one long exposure. There is a juxtaposition of the invitation a sunrise extends at the start of a new day with a sign meant to keep people away that I ruminated on while I photographed the morning.
… not a real leopard but this one behind the behind the bar at the Calcutta Cricket Club on 17th Avenue in Calgary is stunning. I hope to see one in the wild – perhaps with my friends in India – sooner than later.
When the snow was falling last week, I enjoyed trying to create some interesting images from the collision of weather with the fall landscape. The photograph I shared earlier drew some very kind comments about the style of painting it was similar to. I agree with Linda who saw suggestion of Pointillism. Using a short exposure of 1/400th of a second froze the snowflakes in that photograph. Here, I used a longer exposure of 1/40th of a second. The slower shutter speed let the snow trace blurry paths through the scene. I liked the level of abstraction that created.
Last week one of the snowstorms that came through Calgary picked up intensity after dark. I was staying downtown near the Bow River and watched as the increasing snowfall was illuminated by the city lights above one of the bridges crossing the water. A silhouette sped in front of a light at one moment and then a dozen more did the same the next.
A colony of gulls threw waves of their silhouettes into the storm circling low over the water and then above the lights for several minutes before they appeared to settle down.
I don’t know if it was the weather, disturbance by a someone or something or members returning to congregate for the night but they were excited for a short while. I loved the grainy sky created by the snow and the shape of these dark blurs as they flew into and out of the light.
Any guesses what this is? I’ve answered below but it’s kind of fun to let your imagination run on what it could be.
This is from a large inflated mat at the bottom of a tower at an indoor play structure we went to for my daughter’s birthday. The cords were lit and looked super cool. In post, I flipped the image, converted it to black and white and then darkened the two shadows at the bottom. It became this abstract science fiction scene to me.
I wish you and yours a great 2018. I hope the snakes are short and the ladders are long.
I created this image after the fireworks display in my small community (which was great!). The full moon made the whole winter landscape gleam. The lights from the skating rink to the right created interesting shadow layers in a covered trail across the sports field. An abstract start to the new year.
For me, I’m eager for a new year and all of the experiences that will hold. Looking back over 2017, I hope to crisply remember the many wonderful memories from the past year, and let those that were not soften.
On the first day of October, I was in Banff National Park and found great fall colors across the Bow Valley. I returned to Hillsdale Meadow along the Bow Valley Parkway where I expected the larch would be showing their best golds and yellows. I wasn’t disappointed! For this image, I used a slow shutter to abstract the landscape similar to how I had done with the same stand of trees in July. I moved the camera downwards during the 1/40th of a second exposure to exaggerate the vertical lines present in the golden trees and echoed in the evergreens in the mountainside behind.
There is a beautiful stand of aspen trees on the eastern edge of the Hillsdale Meadows which I have photographed for years throughout the seasons. Last weekend I stopped for another visit with them. This time around I was drawn to the contrast of the slender, white trunks and the dark spaces between them.
I worked a few different ideas before I found what an approach that allowed me to illustrate that contrast. Using longer shutter speeds (1/8th of a second – 1/4th of a second) and moving the camera vertically during the exposure, the blurs created illustrated the contrast in a way I really like.
Canon 5DIII camera and 300mm f/4 lens: 1/15th of a second at f/16 on ISO 200
I drove along the Grand Valley Road in search of raptors and was fortunate to come across a small group of fellow photographers who had spied a Northern hawk owl in a roadside stand of trees. I will share a couple of photographs of that fine bird soon but wanted to first show the abstract images I made earlier in the day. Before finding any wildlife, I was spending time looking for them among the trees and meadows along the road. Early on, I found this stand of Aspens and I loved the vertical pattern and the stark contrast between dark and light within and between the tree trunks.
Canon 5DIII camera and 300mm f/4 lens: 1/500th of a second at f/9 on ISO 1250
I loved the straight image and once I dialled that in the way I liked, I wanted to drag my shutter and play with the blurred images that I traced out.
Canon 5DIII camera and 300mm f/4 lens: 1/30th of a second at f/16 on ISO 200