Evening towards Kananaskis
A night on the western edge of Bragg Creek in January. The clouds had incredible texture all afternoon and when the last light caught them it threw incredible pinks and purples across them. A cotton candy sky glowing to see the day off. Same scene above and below – two versions.
Sharing this post is welcomed - but please do not use individual images without permission from Christopher Martin in advance.
Evening over Sulphur Mountain
With the day slipping away from the Vermilion Lakes in the Bow Valley, the clouds began to light up in the last light of the day. This column started out bright white and soon burned into a hot pink. It hung over the valley between Sulphur Mountain and Sunshine Peak brushing them with a faint pastel hue before dimming as night took hold.
Sharing this post is welcomed - but please do not use individual images without permission from Christopher Martin in advance.
An abstract with the moon
The crescent moon on my daughter’s birthday in January was beautiful. Here I framed it between the silhouettes of the trees along the forest in Redwood Meadows. During the exposure (0.8 seconds) I moved the camera slightly to play with the elements and see what would trace across the image. This one had an interesting look of motion in it.
Sharing this post is welcomed - but please do not use individual images without permission from Christopher Martin in advance.
Springbank electrics
The thunder and lightning rolled over the prairies several times over the past couple of weeks. On August 1st, I went out to photograph dusk as the smoke from the wildfires has helped create some beautiful evening scenes. The haze thinned after sunset and a large cloud took shape from it as the sky cooled into night.
While the color slipped away, the cloud grew and I caught a flicker of lightning on the northern edge. Rain didn’t fall and the wind never really picked up. However a fork crackled through the air every few minutes for the next couple of hours.
The storm slowly churned east towards Calgary and the open prairie beyond. The trailing edge left behind a clear sky dotted with stars. This last photograph caught the moon illuminating the cloud as it rose.
Sharing this post is welcomed - but please do not use individual images without permission from Christopher Martin in advance.
Sunset over Springbank fields
Sunset over a field in Springbank west of Calgary.
Sharing this post is welcomed - but please do not use individual images without permission from Christopher Martin in advance.
An autumn sunset in the sky
The sky in late October near the Rocky mountains often serves as a fantastic canvas for clouds, wind and sunshine to paint as they mix, blend and tear apart. I live on the eastern flank of the Rockies and am fortunate to be able to see a fair number of these beautiful collisions. This one was just before sunset in the third week of October on a recently paved country road off of Highway 8 between Bragg Creek and Calgary.
Sharing this post is welcomed - but please do not use individual images without permission from Christopher Martin in advance.
Dusk in the Crowsnest Pass
I had a wonderful getaway camping with my son in the Waterton National Park last weekend. Along the way down there, I travelled through the Crowsnest Pass just as the sunlight was slipping off the peaks and giving way to the night. I stopped for a few minutes to enjoy the transition and this photograph is the one I made from the many peaks stacked around the valley. A mountain unknown to me but beautiful in its isolation.
August 16th update – my Uncle Bill, Auntie Ann and cousins Chad and Darren, who lived in the Crowsnest Pass area for many years, discussed this peak and confirmed that it is Mount Tecumseh. Thank you family!
Sharing this post is welcomed - but please do not use individual images without permission from Christopher Martin in advance.
Night Flight
I found an owl hunting after dusk had settled over Bragg Creek. It was getting dark quickly and I had go back to my car for a flash at one point. I started to photograph this Great Gray around a stand of trees on the edge of a field. After a while she moved out onto the yellow grass and then went to perch on a fencepost.
Retrieving the light, I mounted it in the hotshoe and it didn’t take long to relocate her. We then spent an hour together as she hunted on either side of the fence line while I watched from 40′ away. She was very comfortable with me there and flew to a post closer to me on a couple of occasions. It was challenging to shoot the owl in flight but a lot of fun.
At one point we traveled along the fence with her stopping every 100′ until I caught up. When we had returned to the edge of the trees, the owl flew back out towards the field. It was a very powerful encounter for me.
Sharing this post is welcomed - but please do not use individual images without permission from Christopher Martin in advance.
Evening over Osoyoos
When we were in Osoyoos in August, we stayed at the Spirit Ridge Vineyard Resort. It is a great place to stay and its location above the lake and across from the city gave us a beautiful view of both as well as the hills to the west.
On our last evening, I watched the sunset from one of the rooftop patios and enjoyed the light and its changes on the land and in the sky. As the sun sped away, there were interesting scenes that kept my interest sharp through into night.
(Please click on any image if you would like to view a higher resolution version)
–
–
–
–
Sharing this post is welcomed - but please do not use individual images without permission from Christopher Martin in advance.
Sunset across the prairies
Fuji X100S with fixed 23mm lens: 1/45 of a second at f/11 on ISO 800
A few days ago, the clouds were anchored along the eastern edge of the Rockies all afternoon and I was not sure how the sunset would develop. Well, I guess I was sure that the winter sun would go down early and fast but what the light would do was the question.
Fuji X100S with fixed 23mm lens: 1/70 of a second at f/11 on ISO 800
I found myself on the edge of Springbank, west of Calgary, at 5:30 and the clouds had stretched east across the prairies and were catching and filtering the rich glow from the sun now hidden behind the mountains.
Fuji X100S with fixed 23mm lens: 1/50 of a second at f/11 on ISO 800
It was a scene that didn’t require much input from me to create images. I did like the reflections on my car’s glass and hood so that provided an opportunity to play around a bit.
Fuji X100S with fixed 23mm lens: 1/60 of a second at f/11 on ISO 800
Fuji X100S with fixed 23mm lens: 1/40 of a second at f/8 on ISO 1600
Bobbi and I are off to Sedona, Arizona tomorrow for a week – this landscape session provided a nice warm-up for the spectacular red rock scenery I’m looking forward to photographing down there.
Sharing this post is welcomed - but please do not use individual images without permission from Christopher Martin in advance.
Hunting with a Barn owl at dusk
Boundary Bay is lovely throughout the year. Early spring along the levee that runs parallel to the tidal flats, driftwood piles and grassy fields is not an exception. When we were there last weekend, the rain rolled in as we were watching Snowy owls scattered across the grassland which did contribute to a beautiful scene a couple of hours later. At the time, it set the owls in their poses as they hunkered down through the showers.
Jack and I waited for the weather to change so that the owls may take to the air. Dusk was quickly approaching and we had hopes that these raptors would start hunting. The rain increased and we walked back along the dyke towards the parking lot a couple of kilometers away. As the car came into view, the rain lessened and when I was at the trailhead, the sun had even hazarded a couple looks under the clouds. The evening light was beautiful though very soft as it was filtered by the clouds and water vapour in the sky. A rainbow over the water drew my attention out over the flats and that’s where I first saw a distant bird flying low over the marshes.
I followed it through the gloom and as it moved closer and into the sunlight, I was able to identify it as a Barn owl (Tyto alba). This was my first sight of one of these owls in the wild and I fell in love immediately.
They have a chaotic flight pattern where they swoop along and then dive with great conviction downwards at crazy angles when they find a target. It crisscrossed a large area for about half an hour and all I could have wished for was a bit more light.
Dusk was well entrenched by this time and I was pushing the camera’s ISO and autofocus hard. The owl was curious too and swooped by on two separate occasions. The whole time spent watching this bird was a great experience and I’m looking forward to my next encounter with one of these beautiful owls.
–
–
I could still make out the silhouette as it flew further away but my attention was pulled in a new direction by a Short-eared owl that circled by for a couple of minutes and then a Snowy which, freed from its perch by the calm weather, landed on a pile of waterlogged wood less than a stone’s throw away. I hope to share some of those photographs soon.
Sharing this post is welcomed - but please do not use individual images without permission from Christopher Martin in advance.
Magic in the clouds above
The sunset in West Bragg Creek was beautiful last night. The warm sunlight alternating with the long shadows striped the land and looked great in every direction. However it was the same light caught in the clouds above that stole the show.
Sharing this post is welcomed - but please do not use individual images without permission from Christopher Martin in advance.
Palm tree sunset in Wailua
We had a lovely sunset a couple of nights ago. The western of Wailua, where I am staying, has a few mountain ridges and valleys blocking the view to the ocean directly but the on this night the sky was beautiful. A stand of palm trees in the courtyard made a great silhouette to anchor the pastel lines.
Sharing this post is welcomed - but please do not use individual images without permission from Christopher Martin in advance.
Midnight Sun – Cochrane, Alberta
Sunset was 10pm last night but the sky was still quite bright in the northwest after midnight.
These clouds were incredible and worth pulling off to the side of the road in the middle of the night.
Sharing this post is welcomed - but please do not use individual images without permission from Christopher Martin in advance.
Old Ford Truck: Dusk on the Albertan Prairie
Out at my latest infatuation , this old F350 abandoned beside a country backroad, last night. The evening light after the sun dropped behind the Rockies was great and with long exposures, light painting with a flash off camera and the steadily darkening sky, I had a great time.
I was so absorbed, I lost track of time and didn’t make it back to Redwood Meadows to enjoy the community fireworks for Canada Day. I could see the explosions from the truck but with 25 kilometers between me and home, they were just small balls of color.
As night took hold, I finished with a couple of darker images that left more shadow in keeping with the dark sky to the east.
Sharing this post is welcomed - but please do not use individual images without permission from Christopher Martin in advance.
2010 – My favourite photograph from last year
This is my favourite image that I made last year. Simple composition, interesting patterns, good colour and a great memory behind it.
These monks worked with our small group on and around the U Bein Bridge in Amarapura in Myanmar. We had gone to their monastery and spoke with the Abbott and then with these monks about the photographs that we wanted to make that afternoon. They were interested to see the end result and really cooperative through the whole time.
The footbridge runs 3/4 of a mile long and is made of teak columns salvaged in 1849 under the direction of the mayor at the time, U Bein. He got a bridge named after him and the people got a way to cross Lake Taungthaman from Amarapura to an island in the middle. The traffic is steady in both directions in the afternoon and into the evening with school children, workers, families and monks crossing on foot and bicycle.
Our guide, Win, used one of the boats that take tourists for a float along the bridge to ferry the monks to a small spit of land about halfway between either end of the bridge. At this time of the year, in February, the water is low enough that there are a couple of places that stay above the waterline around the bridge. In the dry season, I was told the lake can be almost empty. In the wet season, the water has been higher than the walkway! I hope to get back to see either of these extremes. From the little island there is a set of stairs that lead up to the bridge deck. The monks and our guide went up and our group of four photographers headed away from the bridge to frame the scene the way each of us were imagining. The sun was dropping slowly at that point and I was starting to get excited because the light was warming up and I was hopeful that we were heading towards something special.
- Children paddling towards U Bein in golden evening light. Settings 1/160 seconds at f/11, ISO 100 at 280mm (70-200 + 1.4X extender)
The scene on the bridge was chaotic and our guide was busy explaining to the people lingering around what we were up to, why the monks were standing between the pylons and when we were hoping to get a break in the traffic. The crowd built up slowly but everyone was patient and seemed to enjoy watching us waving and shouting back and forth to get the men on the bridge in place.
- The evening scene on the bridge. Notice the blue tones in the sky below the sun. Settings 1/200 seconds at f/11, ISO 200 at 98mm (70-200 lens + 1.4X extender).
Win was fantastic sharing what we were doing with the people as they waited, and they in turn were great, waiting for about 10 minutes on both sides while the sun fell in line with the monks and the bridge. It moved very quickly and as it did the gold colour in the sky gave way to blue and purple tones as the sunlight had to push through more atmosphere as well as the haze rising up from the water and the forest.
The photograph immediately before my favourite was fun because I had just changed lenses to a 300mm with a 1.4x extender to get as much reach as I could. This was the first image where I was able to isolate the blue and purple section of the sky away from the golds and oranges. That allowed these darker colours to really saturate. That’s when I knew I had the background that I had imagined to frame the monks against.
- 1/250 seconds at f/11, ISO 200 at 420mm (300mm + 1.4x extender)
The last shots of this scene caught the sun as it went under the bridge and then disappeared into the hillside across the plain. From the moment where the sun was just above the umbrellas to where it is peeking under the bridge took just over three minutes. It seemed much less as I was photographing the scene – a flurry of shooting, checking histograms and adjusting settings and compositions. It was a very special opportunity so I was doing everything to make sure that I was getting the best that I could out of the moment. A great memory of a wonderful place.
- 1/80 seconds at f/10, ISO 200 at 420mm (300mm + 1.4X extender)
Sharing this post is welcomed - but please do not use individual images without permission from Christopher Martin in advance.
The C Train in Motion
Here, I panned with the one of Calgary’s C Train cars as it moved out of downtown towards the southern reaches of the line. I used a longer exposure, 1/4 of a second, to really stretch the lines of light and dark in background. Usually I pan the trains at between 1/10 and 1/20 of a second as that allows for decent blur streaks in the background and achieving a sharp subject (the train or sometimes its occupants). Longer exposures can end up a blurry mess quite easily. In this image, my panning matched the train’s movement pretty well so outline at the front of the vehicle is clearly that of a train. Not sharp but I think there is a good balance between the background blur and the lines and edges of the train. I think there is a lot of movement in this photo which was my intent.
