When I arrived at the second Vermilion Lake and scrambled down to the shoreline I was alone and in darkness. Once I turned off my headlamp my eyes adjusted and a thin line brightening to the east. Mount Rundle stood resolutely across the water and I started to make out clouds as they slid toward the horizon.
The image above was a 25 second exposure on f/10 and ISO 800 taken at 7:25 AM. I used that to get a feel for how the scene looked as it was still too dark to make out much of the details and color in the sky with my eyes alone.
I didn’t mind the grass but I chose to focus on the sky and its reflection so a few steps to the right and setting up closer to the waterline was the next step. The clouds in the image above made a great frame around Rundle and the pre-sunrise colors intensified considerably by the time that I made this photograph at 7:35 AM.
The pre-dawn light’s color faded out before 8 AM. The lull before the fire came into the sky did not last long and I soon caught the first hints of pink catching in the clouds. The photograph of Tunnel Mountain, Mount Rundle and Sulphur Mountain above was taken at 8:10 using a 2 second exposure on f/16 at ISO 50. The light soon caught the clouds hanging low above the mountains in the image below (8:13 AM; 0.8 seconds; f/16; ISO 50). From there the reds and oranges started to splash across the sky above the Bow Valley.
By 8:16, the pinks had been driven off completely. Now the trick was to hold the really bright circle of sky left of Mount Rundle (in the centre of the image below – 0.6 seconds; f/16; ISO 50)). I was exposing off of that circle so that the highlights weren’t completely blown knowing that the RAW file captured by my camera would hold detail in the shadows elsewhere which I could recover in post.
I played with the focal length of several images during the exposure. This created streaks in the photograph which served as interesting leading lines into the sunrise and Mount Rundle. I shared my favourite one of these on the weekend (here) and below is another that I really liked as well. This one has more brightness in the foreground so it has a different feel for me (8:20; 0.5 seconds; f/16; ISO 50).
By 8:20, the fire was waning and only golds and oranges outlined the silhouette of the mountains. The photograph below being one of the last from my shoot (8:22; 0.3 seconds; f/16; ISO 50).
I jumped into a last frame just before the sun came over Rundle’s flank. I had wanted to catch a sunstar as it crested the mountain but the clouds got in the middle as can happen. That exposure was taken at 8:50 AM with a 4 second exposure (f/16 and ISO 100) using a heavy neutral density filter to get the extended shutter speed. A beautiful morning in one of those places I love returning to again and again. It’s rare that it doesn’t share a new look, or a few of them, with me each time.
My son and I returned from a weekend hiking and camping with good friends in the Monashee Provincial Park in British Columbia on Monday night. Wildfires have been a clear and present danger across the province for the whole summer and west of Golden we drove between two separate fires that were burning on mountainsides across the valley from each other. The thick smoke obscured the flames and blocked out much of the sun.
It was powerful to directly observe something we have followed all summer remotely. We stopped at a pullout briefly and then continued east towards home. The day retreated and when we were nearing Golden, the moon rose above the forest and mountain ridge lines.
The smoke in the air from the fires, and likely others that were not visible to us, turned the sky a purple colour at dusk that moved quickly into a deep blue.
The nearly full moon shone brightly and had an orange cast to it. Beauty from these wildfires that I enjoyed but that I would trade for rain there in a heartbeat.
Sunday’s sunrise shone through a narrow break on the horizon. A storm coming out of the mountains darkened most of the sky but with the light rode in from the east and painted the leading edges of the clouds. I was east of Bragg Creek along Highway 8 as the colour started to build so I pulled in behind a stand of trees that have great lines.
The branches silhouetted against the dawn gave me a lot to work with and here are three takes over a fifteen minute window before the colour drained out and the clouds stretched fully across the sky.
I love the abstract quality that snowstorms can bring to landscape. A heavy snowfall in Kananaskis near the Highwood Pass changed the treeline into softened silhouettes. The scene was suggestive of charcoal sketches I still enjoy drawing.
Autumn brings with it layers of clouds which often stretch across the morning sky and catch wonderful colors before and during the sun’s rise.
Canon 5DIII camera with a Canon 24-105mm lens at 47mm: 13.0 seconds at f/11 on ISO 800
When I was in Glacier National Park in Montana, one of the mornings offered up a great sunrise. I shared a couple of photographs from that morning previously in this post. Reviewing the images from that trip last night, I found one more image from the same morning that I really liked. I missed this one the first time through but I’m glad it didn’t slip by on the second pass.
Autumn is a great season for sunrises in the prairies around Calgary. The clouds at dawn can be spectacular. Last week, I was in Springbank and the sky was beautiful. The interesting silhouettes from this wind-broken stand of trees were a good partner to the light playing in the clouds.
I was at my daughter’s dance recital this morning. She had a lot of fun during her performance and we had even more watching her. We were able to enjoy a number of enjoyable performances. The image above, taken just before the stage lights came on, reminded me why I like photographing so many events with a 70-200mm zoom lens. I saw the dancers getting into position and dialled in the exposure to create silhouettes. The image below was the first shot where I wanted to catch the moment before the dance started. Above, with the overall scene photographed, I tried to work into it and find a more compelling composition. Within the frame as David duChemin and others have discussed eloquently on occasion.
I was in downtown Calgary the morning after our first winter storm on Thursday. It was our first real snowstorm in a few weeks and the moody overcast light inspired a couple of images as I made my way along Stephens Avenue.
These silhouettes of the other commuters created nice abstracts for a final image on the morning.
This is my favourite image that I made last year. Simple composition, interesting patterns, good colour and a great memory behind it.
These monks worked with our small group on and around the U Bein Bridge in Amarapura in Myanmar. We had gone to their monastery and spoke with the Abbott and then with these monks about the photographs that we wanted to make that afternoon. They were interested to see the end result and really cooperative through the whole time.
The footbridge runs 3/4 of a mile long and is made of teak columns salvaged in 1849 under the direction of the mayor at the time, U Bein. He got a bridge named after him and the people got a way to cross Lake Taungthaman from Amarapura to an island in the middle. The traffic is steady in both directions in the afternoon and into the evening with school children, workers, families and monks crossing on foot and bicycle.
Our guide, Win, used one of the boats that take tourists for a float along the bridge to ferry the monks to a small spit of land about halfway between either end of the bridge. At this time of the year, in February, the water is low enough that there are a couple of places that stay above the waterline around the bridge. In the dry season, I was told the lake can be almost empty. In the wet season, the water has been higher than the walkway! I hope to get back to see either of these extremes. From the little island there is a set of stairs that lead up to the bridge deck. The monks and our guide went up and our group of four photographers headed away from the bridge to frame the scene the way each of us were imagining. The sun was dropping slowly at that point and I was starting to get excited because the light was warming up and I was hopeful that we were heading towards something special.
The scene on the bridge was chaotic and our guide was busy explaining to the people lingering around what we were up to, why the monks were standing between the pylons and when we were hoping to get a break in the traffic. The crowd built up slowly but everyone was patient and seemed to enjoy watching us waving and shouting back and forth to get the men on the bridge in place.
Win was fantastic sharing what we were doing with the people as they waited, and they in turn were great, waiting for about 10 minutes on both sides while the sun fell in line with the monks and the bridge. It moved very quickly and as it did the gold colour in the sky gave way to blue and purple tones as the sunlight had to push through more atmosphere as well as the haze rising up from the water and the forest.
The photograph immediately before my favourite was fun because I had just changed lenses to a 300mm with a 1.4x extender to get as much reach as I could. This was the first image where I was able to isolate the blue and purple section of the sky away from the golds and oranges. That allowed these darker colours to really saturate. That’s when I knew I had the background that I had imagined to frame the monks against.
The last shots of this scene caught the sun as it went under the bridge and then disappeared into the hillside across the plain. From the moment where the sun was just above the umbrellas to where it is peeking under the bridge took just over three minutes. It seemed much less as I was photographing the scene – a flurry of shooting, checking histograms and adjusting settings and compositions. It was a very special opportunity so I was doing everything to make sure that I was getting the best that I could out of the moment. A great memory of a wonderful place.
On Boxing day the afternoon gave way to evening in a rush of color that pulled me outside, running down the path to the river. I had enough time to get the tripod set up and make a few photographs before the pastel hues evaporated, leaving the dark shades of blue to fight briefly against the night.
This river is the Elbow and it runs down from the Canadian Rocky Mountains, east through forests in Kananaskis and out onto the Albertan Prairie through Springbank. The Elbow River’s source is Elbow Lake, from there it runs through a large section of Kananaskis, past Bragg Creek and enters Calgary at Weaselhead Flats. West of the Calgary Zoo, the Elbow joins the Bow River and they continue eastward joining the South Saskatchewan River and finally entering Hudson Bay. It does not draw as much attention as the Bow River which runs through Banff, Canmore and Cochrane before reaching Calgary. However it hosts many beautiful locations and is where I spend much of my time photographing when I’m outdoors throughout the year.