It has come too soon but I am enjoying the beautiful colors that fall has brought. Snow is falling this weekend so autumn may be cut short this year – we’ll see.
I’ve had fun playing with longer shutter speeds and moving through the focal length during some of those. Some of the images have an abstract, painterly quality which I love. I still like photographing the changing landscape in more straightforward ways too. Most scenes I end up shooting in a few different ways to see which works in that moment. Here are a few from the past couple of weeks in and around Bragg Creek.
On a side note, it has been a long time since my last post. I have kept shooting but haven’t made time to publish anything for a little over two months. A lot went on through the summer. The biggest change has been falling in love with a wonderful woman. Aside from my children and how they continually amaze me, that has been the highlight of a summer that has absolutely flown by.
I have a lot of fun photographing just about anything in motion. Thinking about how a picture could look, using different techniques to realize that and then the element of luck throwing in a wildcard or two. Here are a few car shots from last year which came together pretty well.
Night suits this type of photography as the darkness allows for slower shutter speeds. I set a longer exposure, often between 1/10th and 1/50th of a second, and then pan with the vehicle as it passes by. The background blurs and, hopefully, the vehicle remains in sharp focus.
And then, sometimes, you find a car just sitting patiently in an empty parking lot in Montréal under a light rain in the early morning that simply looks amazing.
During a cold night in November where ice fog spread low around the Springbank Airport west of Calgary, I photographed around the area for a couple of hours. I started capturing light trails from traffic going through the intersection where the Springbank United Church stands. Most of these exposures were close to 20 seconds to allow the vehicles to pull their lights through the scene. Later I moved towards farm fields nearby and caught the moon as it rose out of clouds and shone over the mist. The intensity of the nearly full moon allowed for shorter exposure times which suited me well – my hands were chilly by then and I was ready to pack it in soon after.
Almost exactly a month later, I found myself landing in Montréal–Pierre Elliott Trudeau International Airport again. This time with my family. We are in Mont-Tremblant this week for my daughter’s dance competition. We will get back to the city for a bit of a visit during our stay in Québec – I’m looking forward to wandering around the old town with them soon. It’s fun to have the opportunity to enjoy this wonderful city on two separate occasions this summer after not visiting for about 28 years.
I had an extended layover in Montréal a couple of weeks ago and spent the night photographing in the old port area. The ferris wheel on the harbour front opened last year and is eye-catching addition to the city’s skyline. I wandered down to the waterfront close to 11 with a warm rain starting to fall which found me thinking about puddles and reflections.
The wheel closed at 11 so I was lucky to arrive in time to watch a couple of the different colors they project onto it while it is open. Afterwards it is lit in simple white but I liked photographing that too. I will share some photos from around the old part of the harbour but for this one, it’s all about La Grande roue de Montréal. There may have been controversy behind this installation and I am a sucker for Ferris wheels but I think it works as part of the waterfront.
This last one was taken quite a bit later in the night. I went into the frame to fill the narrow slot with my silhouette. I didn’t intend for that to add a slightly foreboding tone to the image.
Coach Hill, a rise in west Calgary, affords a great view of city’s downtown. I found a place there where vehicles traveling along Sarcee Trail pass in front of the knot of skyscrapers. The play of perspective, especially the relative size of the cars to the buildings, was very interesting to me.
A couple of weeks ago I went to Springbank, just west of Calgary, and made a few long exposure photographs from the overpass that leads to Calaway Park to the south and the Springbank Airport to the north. The TransCanada Highway runs west from Calgary, under this bridge and a few more, before heading into the Rocky Mountains. As night faded, the line of the mountains in their snowy blankets stood out.
To the east the sun painted the scattered clouds before it rose above the eastern horizon. The color from the headlights, tail lights and reflections in the shiny pavement patches balanced the sky in a way I liked.
Shortly before the sun rose, the landscape and clouds to the west were illuminated with soft, even light which helped the light trails to really glow.
I stopped under a railway overpass to photograph a small piece of the morning commute in Berlin. It was interesting to see and compare the vehicles on a German roadway with what I’m used to at home in Calgary.
I have a lot of fun photographing things in motion and the half hour I spent on this street just outside of downtown was no exception. Playing with the shutter speed to isolate subjects as they speed by is a good challenge and can make for strong, dynamic images. Here then are a few more from that session beside the road.
Canon 5DIII camera and 300mm f/4 lens: 1/15th of a second at f/16 on ISO 200
I drove along the Grand Valley Road in search of raptors and was fortunate to come across a small group of fellow photographers who had spied a Northern hawk owl in a roadside stand of trees. I will share a couple of photographs of that fine bird soon but wanted to first show the abstract images I made earlier in the day. Before finding any wildlife, I was spending time looking for them among the trees and meadows along the road. Early on, I found this stand of Aspens and I loved the vertical pattern and the stark contrast between dark and light within and between the tree trunks.
Canon 5DIII camera and 300mm f/4 lens: 1/500th of a second at f/9 on ISO 1250
I loved the straight image and once I dialled that in the way I liked, I wanted to drag my shutter and play with the blurred images that I traced out.
Canon 5DIII camera and 300mm f/4 lens: 1/30th of a second at f/16 on ISO 200