A couple of long exposures from west of Calgary the other night. The vehicle lights traced light trails across the scene to make for more interesting landscapes.
My family spent a few days in Radium at the end of March. I had not been that way since last fall. Driving through the Sinclair Canyon’s narrow opening into the Columbia Valley this time, the steep rock walls grabbed my attention.
I went there early on three of the four mornings to play with those solid forms. Lights from passing traffic traced bright lines through the long exposures.
The last morning was the earliest I arrived – a little after 4am. I had some ideas for images with star trails through the gap in the canyon. The clouds were not supportive of those ideas. I watched them knit together and block the night sky as I was setting up. Those ideas will get another chance later this spring I think.
Vehicle lights stretch across the scene during a two second long exposure. I set up across the road from this farmstead and the sign. I took a few photographs of the passing traffic. I liked this one as I thought it had beautiful tone and good luck with the interesting light trails. A photograph an hour after sunset from west of Calgary near the Springbank Airport taken on December 15th.
Highway lights and morning sky – 20 seconds at f/11 on ISO 400
Having stayed out late to photograph the Geminid meteor shower, it was dawn much sooner than I expected. I frequently (always) lose track of time when I have a camera in hand – this was no exception. The last place I watched for the meteor streaks was near the Jumping Pound Road’s overpass of the Trans-Canada about 15km west of Calgary.
Mailbox sunrise – 30 seconds at f/11 on ISO 800
When I caught the first hint of dawn along the eastern horizon, which was preceded by an unplanned, but much-needed, cat nap, I made my way to the bridge. The wind was howling as I set up. I was glad it was blowing out of the mountains and across the Prairies. If it had been in my face, I would have had a lovely collection of blurry images! I had a few when a strong gust would come up but I was able to shield against most of them.
A view from the Jumping Pound overpass – 20 seconds at f/11 on ISO 200
As the sky lightened the clouds started to separate from the night sky. I got excited as I saw the first hints of color catch in the edges and folds. They were drifting into and out of beautiful shapes as Helios and his chariot approached the horizon. The image below, with Venus glowing through the pink tinged clouds, is probably my favorite from the shoot.
Venus above – 30 seconds at f/8 on ISO 400
In the longer exposures, the traffic below was rendered indistinct by the longer exposures but the trails carved out by their lights gave me strong, dynamic elements to work with.
Eastern fire – 1.8 seconds at f/22 on ISO 50
While the clouds were ablaze to the east just before sunrise, the west was a different scene altogether. My last photograph of the morning was of the farm north of the bridge under a sky sketched in pastels.
Alpen glow and morning calm – 4.6 seconds at f/22 on ISO 400
During a cold night in November where ice fog spread low around the Springbank Airport west of Calgary, I photographed around the area for a couple of hours. I started capturing light trails from traffic going through the intersection where the Springbank United Church stands. Most of these exposures were close to 20 seconds to allow the vehicles to pull their lights through the scene. Later I moved towards farm fields nearby and caught the moon as it rose out of clouds and shone over the mist. The intensity of the nearly full moon allowed for shorter exposure times which suited me well – my hands were chilly by then and I was ready to pack it in soon after.
A couple of weeks ago I went to Springbank, just west of Calgary, and made a few long exposure photographs from the overpass that leads to Calaway Park to the south and the Springbank Airport to the north. The TransCanada Highway runs west from Calgary, under this bridge and a few more, before heading into the Rocky Mountains. As night faded, the line of the mountains in their snowy blankets stood out.
To the east the sun painted the scattered clouds before it rose above the eastern horizon. The color from the headlights, tail lights and reflections in the shiny pavement patches balanced the sky in a way I liked.
Shortly before the sun rose, the landscape and clouds to the west were illuminated with soft, even light which helped the light trails to really glow.
Late night light trails as vehicles move along Bow Trail. The red tail lights streak towards downtown while the lights on the left climb out of the city centre. Every few minutes the LRT, Calgary’s public transit commuter trains, slid along the tracks dividing the westbound and eastbound lanes of the roadway.
I walked to the Bow Trail Bridge near midnight in early January. I often pass under this bridge and believed it would afford a good view of both the city’s skyline and the traffic passing under it. The bridge itself has great curved lines and I shot it for a few minutes before photographing the cityscape.
From the bridge deck, the view matched my expectation and it was fun composing for long exposures meshed with the skyline. I’ll end with a slightly wider view of the scene. I’m looking forward to a return on a starry night… or maybe during an exceptionally bright Aurora Borealis display.
When the first serious blast of winter cold rolled onto the Prairies last weekend, it caught me west of Calgary near Springbank. The heavy clouds that introduced the snowstorm were already blocking most of the light as the sun started to rise. I stood on the south side of Highway 8 watching the irregular morning traffic on its way to and from Calgary. I liked how the headlights lit up the asphalt.
The headlights of a car driving on Highway 66 draw a line of light under the pre-dawn sky during a long exposure in Kananaskis Country, Alberta, Canada.
The Brandenburg Gate is a beautiful monument that has been at the centre of pivotal moments in history since its construction completed in 1791. The Tor was commissioned by King Friedrich William II as a sign of peace; Napoleon marched through it in triumph; it was closed to all through the cold war, dividing Berlin – and the world, and divided Berlin and the world; and then it was where the wall first fell and was where the city and Germany reunified. Coming full circle, it has now come to represent peace as well as unity in the country and in Europe.
I was excited to photograph this icon and visited there several times through my week in Berlin. One visit was after midnight and I set up on the west side of the where three streets meet. I wanted to create some long exposures to let the lights from the vehicles create streaks in front of the gate. It is a stunning structure and I enjoyed spending time there and making these images.
When night fell, I had been hanging around the Spree River near Berliner Dom so it was not a very long walk to the Tor. Coming from the east, I photographed the front of the gate first. The Quadriga of Victory looks like it about to leap off the top and carry forward.
It is a stunning structure and I enjoyed spending time there and making these images. With recent events within Germany and other parts of Europe, a visit seemed timely and it would serve many well to consider what the Brandenburg Gate has come to represent from many years of hard learned lessons about peace and unity.