I crossed the pond last night to come to Berlin for a whirlwind visit with my cousin. I did find Berlin, and him so the trip’s off to a great start. We’re off to Belgium for the weekend and then I will be looking forward to finding much more of Berlin.
This was a quick shot of transportation by transportation while waiting for the metro on the U7 at the Jakob-Kaiser-Platz station.
Last week I was downtown for the day and before leaving the urban cacophony spent a bit of time dragging my shutter among my fellow commuters. It had been quite a long time since I was downtown during the evening rush hour and I enjoyed panning with the C-trains, shooting in the middle of the cross walk and looking for ways to capture the movements of people and their conveyances.
The rain came in last night and, with dark clouds apparently anchoring directly above Calgary, fell all day.
The trains were a somber affair both in the morning and in the afternoon. I thought this gentleman’s body language and the resigned look on his face accurately portrayed the mood of the city on this rainy day in May.
I panned with this train as it slid through downtown Calgary, working to keep the front sharp. When I reviewed the photograph, I liked the driver’s wave to his counterpart on the just passed train. A detail I didn’t see in the moment.
I am enjoying the people I meet and see during my commutes into and out of downtown. The photographs of these two gentlemen drew my attention when I was looking through my recent pictures. The driver was a quick shot taken as my car passed by a bus – I didn’t realize that the bus driver was looking at me. It certainly makes the picture. The man waiting for the train had a stately, refined manner which stood out from the standard commuter. I am taking queues from this man’s sartorial tastes.
More to come from the commuting into Calgary’s core…
If you are on Facebook, check out my new photography page (and “like” it – if you do indeed like it)
The city was still fairly dark when I was downtown early on Wednesday. I dragged the shutter, using long exposures mixed with some panning to capture the motion of the commuter trains coming into and heading out of the core. Many of the trains were sparsely populated with passengers with the rush of people yet to start building. This afforded the opportunity pick out individual riders and follow them through the exposure to give the illusion of freezing the person while surrounding them with movement.
The station matched the trains at that hour – both were pretty quiet.
In this image
Usually I see old, distressed trucks like this one rusting away next to a barn. It was cool to see this fellow had his on the road. I’m sure the old Ford appreciated being taken out for a spin and put to work!
For those who are curious, I believe this is a 1956 F-100. The fender threw me for a bit but I think the owner just put on a replacement. Or else this is a different year – I’m not an expert. It’s a great looking truck whichever year it was made.
I have been working downtown the past couple of weeks which finds me riding the bus, rolling on the train and walking around the core. It makes for great opportunities to photograph people and vehicles – two themes I quite like working with.
With the businessman striding past, along with the absurd text, the lines and the display designer behind the glass collaborating to create an interesting scene.
I will be downtown for a while longer so there will be more to come on these two themes.
Two 4400 horsepower diesel-electric locomotives (GE AC4400CW is the model of both trains if anyone is interested) lead a convoy of freight cars past the Third Vermilion Lake heading west through the Banff National Park.
A photograph created by using a slower shutter speed (here 1/13 sec.) and then panning with the train to keep the engines in focus and blur the surrounding landscape. This joins the images that chronicle my long running love of things in motion!
Here, I panned with the one of Calgary’s C Train cars as it moved out of downtown towards the southern reaches of the line. I used a longer exposure, 1/4 of a second, to really stretch the lines of light and dark in background. Usually I pan the trains at between 1/10 and 1/20 of a second as that allows for decent blur streaks in the background and achieving a sharp subject (the train or sometimes its occupants). Longer exposures can end up a blurry mess quite easily. In this image, my panning matched the train’s movement pretty well so outline at the front of the vehicle is clearly that of a train. Not sharp but I think there is a good balance between the background blur and the lines and edges of the train. I think there is a lot of movement in this photo which was my intent.
Highway 8 starts about 30 kilometers west of Calgary in Alberta, Canada and runs through the open prairie around Springbank directly east into the city. When I do go into Calgary, this is the road I usually take and, in the winter, it is often during daybreak on the way in and dusk when I’m heading home. I’m working on a longer term project on roads, what is at either end, what springs up in between and how we move along them. These photographs have been shot with this project in mind but, equally, as an acknowledgement of this particular stretch of asphalt that I spend a fair amount of time traversing.
The mountains dominate the view once I clear the city and heading west. With great ease they pull me out of the work mind and back into my personal space. The longer drive is appreciated on those days when a longer transition is needed.
Working with a slow shutter speed, I wanted to see what kind of detail I could of the commuters riding into the downtown core on one of Calgary’s light rail transit trains. For this image I panned with the train as it sped past, trying to pivot quick enough to briefly match the rail car’s velocity. The goal being to capture the detail inside the train while blurring the scenery outside. This technique has been applied to all types of motion by many photographers and creates an interesting effect.
Click on the image for a larger version
Exposure details: 1/13 second, f/4.0 at ISO 400 using a Canon 1D Mark III with 70-200 lens at 200mm.