I went to Elbow Falls yesterday and arrived well before sunrise. As I stood above the waterfall, the glow from Calgary, ~50km to the east, mixed with the faintest hint of the approaching dawn to paint the clouds and to illuminate the river very gently.
On my path towards the water for sunrise a couple of weeks ago, I passed under the 4th Avenue Flyover Bridge. Curtis Van Charles Sorensen’s mural of the leaping foxes is a street art favorite of mine. I liked how the curve of the bridge allowed me to connect it to the Calgary Tower.
I stumbled upon the beginning of this sunrise as I was heading to the Inglewood Bird Sanctuary last weekend. Driving through downtown, the clouds in the sky looked interesting as dawn approached. I parked in the East Village near the Bow River and grabbed my gear.
A long exposure, 6 seconds at f/16, made the dim glow to the east much brighter than it appeared to me then. I saw this image on the back of my camera and raced to the water’s edge between the Reconciliation Bridge and the George C. King Bridge.
A few minutes later, I framed a lone pedestrian crossing the bridge against this fiery backdrop.
The color faded to pastels just before the sun cleared the horizon. A soft end to a beautiful daybreak in Calgary.
A pretty view caught my eye as I crossed over the Trans-Canada Highway near the Springbank airport west of Calgary. The early sunsets of late autumn like this are great to enjoy.
As the eastern sky brightened yesterday morning, sunlight painted a line through a thin veil of clouds above the horizon. With the sun heralding its imminent arrival, I was happy to wait and watch it rise. A beautiful start to the day.
A touch of winter froze blades of a partially submerged mound of grass and laid down several sheets of snow on the peaks ringing the lake before autumn returned. Photographed in Kananaskis Country’s Peter Lougheed Provincial Park in Alberta, Canada on October 7th.
Winter retreated last week and the autumn skies have been beautiful since. West of Calgary, near Springbank, the clouds glowed above the sun as it rose behind a farmstead earlier this week.
A 25 second exposure and a fast lens (in this case, a Canon 24mm f/1.4 set at f/1.8) revealed wisps of clouds stretching east across the Kananaskis River valley a little after 4 in the morning on October 7th. The soft green glow betrayed the Aurora Borealis pulsing low over the northern horizon.
Red light from my headlamp illuminated Highway 40 in this 10 second exposure that centered on the hazy Northern Lights.
Following the heavy snowfall early in the week, I found a few different times to get out to photograph this interesting transition from autumn to winter. The cold snap caught the trees off guard and the leaves have been falling steadily since.
Ahead of the winter storm which hit late Monday, I went to Kananaskis to enjoy autumn in the mountains. The clouds were leaden, already suggesting snow when I watched them wrap around Mount Kidd in the fading darkness.
I waited for dawn on the low ridge above Wedge Pond. The little lake looked beautiful but the brightening sky was much less so. The clouds did diffuse the light which supported taking a few landscapes of the larch that ring one side.
I wanted to get a hike in so I packed up and headed off to the trailhead for the Galatea Lakes. I grabbed my tripod, threw on my backpack and headed up.
The trail followed Galatea Creek as it wound up the valley towards the lakes. I photographed steadily as I wandered along. It came as no surprise that I hadn’t covered more than a couple of miles before I needed to return home. It was nice to get lost really seeing and enjoying the forest, the splashing water and the mountains for a couple of hours.
The sun climbed over Springbank hill while I was heading into the city a couple of weeks ago. I stopped at this stand of aspen with its blend of broken trunks, spidery branches and open canopy which I thought would provide an interesting frame for the sunrise.
When the snow was falling last week, I enjoyed trying to create some interesting images from the collision of weather with the fall landscape. The photograph I shared earlier drew some very kind comments about the style of painting it was similar to. I agree with Linda who saw suggestion of Pointillism. Using a short exposure of 1/400th of a second froze the snowflakes in that photograph. Here, I used a longer exposure of 1/40th of a second. The slower shutter speed let the snow trace blurry paths through the scene. I liked the level of abstraction that created.