It was quite a while ago when we went to the Dominican Republic for a week of sun and sand. I went out photographing most mornings. As the day brightened ahead of the sunrise, this cloud took shape out of the night, slowly brightening from its head down towards the horizon. A 15 second exposure and a wide aperture helped to create a dreamy feel to this seascape.
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The sky stole the show when I was out looking for photos a month ago. With the clouds low over a rise and the evening sun brightly coloring them, my exposure made the trees fall into dark silhouettes. Silhouettes are one of my favorite landscape elements so I enjoyed composing images of the clouds above them as the shapes appeared and quickly evaporated.
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I photographed birds at the Inglewood Bird Sanctuary this afternoon. With the sun out and the temperature rising close to zero, it was a beautiful day to wander along the Bow River. I walked back as the setting sun painted the clouds. The colors stopped me in my tracks. It was a stunning way to let go of the day.
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The Northern Lights were soft on April Fool’s night. There were a number of photographers lined up waiting for the show but the joke was on us with a subtle display. I didn’t mind, it gave me pause to think about the scene differently and try out a few things. This longer exposure, 8 seconds, with a little movement of both the camera and the grass in the foreground had an interesting look.
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This image of a diver was abstracted by a long exposure (1/6th of a second) where I panned down as they arrowed towards the water. I was photographing our oldest son at a swim meet at the Repsol Sport Centre last month and took a few minutes to explore some creative images as people were practicing from the dive towers.
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I found this red fox hunting in a field recently. It was well into dusk but she had no trouble maneuvering through the grass. Photographing her in motion was much more of a challenge. In this image, I dragged the shutter to 1/6th of a second and tried to capture that energy. She reminded me of my daughter, her spirit and her intelligence – as every fox that I see does.
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This is a squirrel in our backyard. Though, if you asked him, I’m sure it would be referred to as his backyard.
We have watched him flit around our deck, trees and lawn for almost a year now. We named him Mojo somewhere along the way as we have seen him learning how to be a squirrel. As he’s grown, boldness has emerged as a defining characteristic. A couple of weeks ago, he leaped on top of the barbecue railing and watched us for a while. He didn’t mind having his picture taken through the window – either he’s gotten used to it or he has become more than a little vain.
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I’m in Seattle for a dear friend’s photography workshop on the Olympic Peninsula this weekend. I was lucky enough to wander the gardens and forest around his wonderful home yesterday. Coming from Alberta, the blossoms, warmth and greenery was almost a shock to me. Certainly a glimpse of a future we will hopefully see within a couple of weeks. The light on the bark of this cedar danced well with the abstracted shapes in the background. Those were thrown out of focus by the a shallow depth of field using a 24mm lens at f/2.0.
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On the first day of October, I was in Banff National Park and found great fall colors across the Bow Valley. I returned to Hillsdale Meadow along the Bow Valley Parkway where I expected the larch would be showing their best golds and yellows. I wasn’t disappointed! For this image, I used a slow shutter to abstract the landscape similar to how I had done with the same stand of trees in July. I moved the camera downwards during the 1/40th of a second exposure to exaggerate the vertical lines present in the golden trees and echoed in the evergreens in the mountainside behind.
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There is a beautiful stand of aspen trees on the eastern edge of the Hillsdale Meadows which I have photographed for years throughout the seasons. Last weekend I stopped for another visit with them. This time around I was drawn to the contrast of the slender, white trunks and the dark spaces between them.
I worked a few different ideas before I found what an approach that allowed me to illustrate that contrast. Using longer shutter speeds (1/8th of a second – 1/4th of a second) and moving the camera vertically during the exposure, the blurs created illustrated the contrast in a way I really like.
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It was -26°C as I stood with my tripod watching the sun climb off the horizon to start the day. Hoar frost enveloped these branches creating a beautifully tangled, chaotic pattern. The sunlight streamed in, reflecting off of the ice and snow.
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