I have to admit to missing the ocean badly right now. The pandemic has interrupted a couple of trips to the coast but a stroll through my image library helped. I landed on some images from a morning two Aprils ago where I was on the narrow strip of land where the Ediz Hook Reservation for Native Birds borders against a US Coast Guard Air Station.
The sun rose just after 6 am. I was on the shore by 5 and enjoyed watching twilight brighten the night sky. The hour seemed to glide quickly past – as is often the case when I’m out photographing landscapes. Not before I had managed a few different scenes of the blue hour on this interesting spot along the Olympic Peninsula in Washington State.
When the sun was up, I did a little beach combing. Walking through the wash of the tide, I found a few interesting miniature scenes. This one was a favorite of mine.
I woke to a grey morning on the Pacific earlier this week. As the sun rose, its light diffused across the dull silver clouds and carried on to the waves rolling in. In these images I stretched some of these waves out with longer exposures (1/30 to 1/2 seconds) and swung the camera around a bit just to play with the idea a bit more.
Amid the abstract work, a few seals skimmed by. One of these glided inside a wave as it rolled into shore – which was fantastic to watch. I hope to share images from those encounters as well as a few with Brown pelicans from the same morning soon.
We are on the coast of Southern California for a short vacation. Legoland is the destination today for the family and my building-obsessed son. Last night, I was out exploring the beach cities north of San Diego and we photographed the sunset on the coastline in La Jolla. The light was beautiful and the rocky coastline provided a wonderful landscape to work with. There are surfers, pelicans and seals all waiting to be photographed, I’m excited to find a few more opportunities.
The sunrise was beautiful this morning. Ahead of the sun coming over the horizon, I got out into the water and used the silhouetted rocks to anchor the foreground. In this photograph, I made these rocks the main subject as I waited for the sun.
I was able to enjoy three consecutive sunrises down on the eastern shore of Kaua’i in the last days of our trip in December. I went to a couple of different spots between Kealia and Kapa’a and each offered a different perspective of the coastline. Here are a few of the photographs I liked from these mornings on the water with the rising sun.
A defiant shelf of rock juts out into the surf while the sun drives through a set of breaking clouds. Before dawn, these clouds were knitted together and lashed the coast south of Kealia with a heavy rain. I was happy they had the good graces to separate and catch the early morning light.
A break between waves allow the water resting in these small tidal pools to reflect the color in the sky along the shore just north of Kapa’a.
Spray from the waves hitting the rocks was a challenge and demanded frequent spot cleanings. In this image above, I found the water spots on my lens were diffracting the sunlight in the middle of the image which added to the motion in the water and drew my eye up to the sun. I liked these rocks grouped just off shore and enjoyed trying to show the movement of the waves and sunlight in that time just after sunrise there.
The color lasts for only a couple of minutes this close to the equator as the sun seems to jump into the sky very quickly. This large cloud bank was in good position to catch the pink light as the sun pulled clear of a distant storm on the edge of the horizon.
The sun halo I could create here stole the show from the foreground rocks so I centered on it and eliminated any strong elements that would distract from this interesting optical illusion.
This time of year the northern coast of Kaua’i receives the heavy swells that hit the shoreline unchecked from the open water of the Pacific. I was waiting for the sun to rise and the low light of dawn allowed me to use a shutter speed of four seconds. This long exposure blurred the rows of spiky waves softening them into a supporting role, allowing this dramatic chunk of rock standing apart from the shore to be the dominant subject in the image.