I enjoyed another sunrise on the prairies east of High River this weekend. This time around, I used a couple of farms and their buildings to break up the line of the horizon. The layers of cloud across the sky caught the sunlight presenting a range of pastels as the morning moved through dawn.
I stepped infront of the camera when I had the tripod facing the beautiful display of pink hues in the clouds to the north. As the sun rose it went behind a thick band of cloud so I looked down a couple of snow-covered range roads towards the Rocky Mountains before the warm light cooled and disappeared.
This small shack is leaning to one side and I suspect it will fall down in a year or two. It served me well as a solitary anchor under the growing dawn on a frigid morning last weekend near Mossleigh. I love the isolation and the constantly changing skies on the prairies in the winter.
I caught a sunrise on the prairies east of Mossleigh on the weekend. Fog had rolled over a large swath of southern Alberta so the morning was spent watching skirmishes between the rising sun burning off the clouds and the walls of fog. Here the early pink light had painted the clouds but not yet reached the fields nor broken through the opaque wall behind this tree.
A morning walk brought me to this scene along the Elbow River a little after sunrise. With snow falling outside as I write this, it feels like that may have been one of the last autumn landscape photographs for me for the year.
When I arrived at the second Vermilion Lake and scrambled down to the shoreline I was alone and in darkness. Once I turned off my headlamp my eyes adjusted and a thin line brightening to the east. Mount Rundle stood resolutely across the water and I started to make out clouds as they slid toward the horizon.
The image above was a 25 second exposure on f/10 and ISO 800 taken at 7:25 AM. I used that to get a feel for how the scene looked as it was still too dark to make out much of the details and color in the sky with my eyes alone.
I didn’t mind the grass but I chose to focus on the sky and its reflection so a few steps to the right and setting up closer to the waterline was the next step. The clouds in the image above made a great frame around Rundle and the pre-sunrise colors intensified considerably by the time that I made this photograph at 7:35 AM.
The pre-dawn light’s color faded out before 8 AM. The lull before the fire came into the sky did not last long and I soon caught the first hints of pink catching in the clouds. The photograph of Tunnel Mountain, Mount Rundle and Sulphur Mountain above was taken at 8:10 using a 2 second exposure on f/16 at ISO 50. The light soon caught the clouds hanging low above the mountains in the image below (8:13 AM; 0.8 seconds; f/16; ISO 50). From there the reds and oranges started to splash across the sky above the Bow Valley.
By 8:16, the pinks had been driven off completely. Now the trick was to hold the really bright circle of sky left of Mount Rundle (in the centre of the image below – 0.6 seconds; f/16; ISO 50)). I was exposing off of that circle so that the highlights weren’t completely blown knowing that the RAW file captured by my camera would hold detail in the shadows elsewhere which I could recover in post.
I played with the focal length of several images during the exposure. This created streaks in the photograph which served as interesting leading lines into the sunrise and Mount Rundle. I shared my favourite one of these on the weekend (here) and below is another that I really liked as well. This one has more brightness in the foreground so it has a different feel for me (8:20; 0.5 seconds; f/16; ISO 50).
By 8:20, the fire was waning and only golds and oranges outlined the silhouette of the mountains. The photograph below being one of the last from my shoot (8:22; 0.3 seconds; f/16; ISO 50).
I jumped into a last frame just before the sun came over Rundle’s flank. I had wanted to catch a sunstar as it crested the mountain but the clouds got in the middle as can happen. That exposure was taken at 8:50 AM with a 4 second exposure (f/16 and ISO 100) using a heavy neutral density filter to get the extended shutter speed. A beautiful morning in one of those places I love returning to again and again. It’s rare that it doesn’t share a new look, or a few of them, with me each time.
Sunrise streaked around Mount Rundle over the Vermilion Lakes in Banff National Park in Alberta, Canada yesterday. I arrived in darkness and had time to find a great spot that I have not photographed from before. The clouds picked up the earliest light in the pre-dawn and the color in the sky continued to intensify. For this image, I zoomed the focal length of the lens slightly during the 1/2 second exposure to create the lines of light leading to Rundle.
This image of a summer sunrise at Upper Kananaskis Lake in the Peter Lougheed Provincial Park has been selected as one of National Geographic’s Daily Dozen for October 5th.
The yellow border is a siren call for many photographers – and certainly is for me. I have had several images published on National Geographic’s websites but the novelty never wears off so it’s a great start to the day!
There is voting on each day’s twelve images that are selected by one of the National Geographic editors. The image which receives the highest number of votes has the potential to be published in the National Geographic magazine. If you do check out the today’s Daily Dozen, have a look at the images and vote for the one that you like best. I really love Nguyen Tat Thang’s photograph of mist and fog over the city of Dalat in Vietnam.
I’ve been lucky to enjoy a number of great mornings (here, here and here) in the mountains as summer has wound down. Last weekend I went to Kananaskis to see how the autumn colors were coming in at the higher elevations. I went to Wedge Pond ahead of the sunrise and waited for the darkness to lift. Soon enough it did, and quickly, revealing the larch along the shoreline were starting to turn but there were more lime greens than yellows and golds. I’ll be back again in a week or two to try to catch the stands of gold before the needles fall and the leaves blow away.
I was not disappointed in any way though. The mist swirled across the calm water, drawing a line through the middle of the mountains and their reflections as the early morning blue gave way to the alpenglow.
Time spent at the Vermilion Lakes in Banff National Park is always worthwhile. It had been a while since I had watched day break there so on the weekend I drove up to do that. I went very early so I was able to make some long exposures at the second lake before the morning arrived.
With sunrise threatening, other people wanting to enjoy the quiet spectacle came down the road to find their spot. I didn’t mind adding a light streak into the scene!
When the clouds above the Fairholme Range to the east began to glow the day soon rushed in behind. The lake dazzled again, as usual, reflecting Mount Rundle and framing the energetic sky above as it ran through dawn’s color palette.
A small group of photographers assembled along the shoreline nearby as the sky’s performance heightened. The tone of the hushed murmurs suggested they were enjoying the moment. I certainly was.
This summer I feel like I have rediscovered the Kananaskis Lakes located in the Peter Lougheed Provincial Park. In particular, I have spent a lot of time at the upper lake. The peaks that ring the lake have appealed to me recently in a new way and I have been drawn to visit at different times of the day to photograph them.
The jagged profiles, mirrored reflections and rocky shoreline are all elements I love to work with and the Upper Kananaskis Lake knits these together in a beautiful way. These are a few of the photographs I like from these visits.
And here are some evening shots from an earlier post this summer as well. It’s a beautiful place to spend time.
Wedge Pond is a favourite location of mine in Kananaskis Country. She sits below the massive chunk of rock that is Mount Kidd and in calm moments mirrors the entire mountain on her surface. Several more peaks along the Kananaskis River Valley are prominent from the shoreline as well. Collectively they provide a lot of visually appealing elements to work with when photographing around this little lake. I usually head there in late September when the aspen trees around the pond turn a brilliant yellow (previous posts with those images). A couple of weeks ago I was contacted by a friendly Australian photographer who will be coming this way next month and was looking for some local information about Kananaskis and Wedge Pond in particular. That got me thinking about Wedge a little earlier than usual and I headed up in the wee hours on August 11th..
The mist was swirling early. Cold, humid air and a gentle breeze combined to push the mist across the water. On this day, the sky was clear and the alpenglow was visible above the mountains early and then slid down the surrounding peaks. The morning exceeded all expectations I may have had and I was blessed with an amazing start to the day. The red that first painted the peaks was soon washed over with golden sunlight and I headed up for a hike at Chester Lake.
Last weekend I spent two mornings waiting for, and then watching the sunrise, on Moraine Lake. The two days were definitely not alike. On Saturday morning, the clouds hung low obscuring the tips along the Valley of the Ten Peaks. The color palette was decidedly cool. It was reminiscent of the night before after the sun had set at Upper Kananaskis Lake.
The next day welcomed clear skies in all directions. I would have welcomed a few clouds above the mountains to catch the alpenglow but the peaks down the valley soon did. And that was beautiful to enjoy. It had been a couple of years since the valley had shared this particular scene with me.
Watching the peaks glow red is stunning and I love watching that light spread down mountainsides, racing against the golden sunshine’s imminent arrival. The transition is very fast with the alpenglow lasting 4-5 minutes before the sunshine blends in and the red disappears from the rock faces.