Evening over Osoyoos
When we were in Osoyoos in August, we stayed at the Spirit Ridge Vineyard Resort. It is a great place to stay and its location above the lake and across from the city gave us a beautiful view of both as well as the hills to the west.
On our last evening, I watched the sunset from one of the rooftop patios and enjoyed the light and its changes on the land and in the sky. As the sun sped away, there were interesting scenes that kept my interest sharp through into night.
(Please click on any image if you would like to view a higher resolution version)
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More lightning on the edge of the prairie
With the nightly storms, I have had a couple of opportunities to get out and photograph the lightning. These are the remaining shots from the first night that I went out and had great forks of lightning stretch out in the clouds near my home. The storm’s strikes would come in waves and resulted in several nice images.
I wanted to put a person into the scene and I graciously accepted the invitation to do so 🙂
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Storms and light trails over Sedona
Storm over Sedona
Canon 5D Mark III + 24-105mm f/4 lens at 105mm: 1/13th of a second at f/11 on ISO 100
Rain has been a rare commodity in northern Arizona for the last couple of months. When clouds started to roll in from the north while we were down there people were hopeful that they would drop some of their precipitation before moving on. The rain did come eventually and the evening before I hiked along the airport trail to watch the storm’s approach.
Winter storm in Northern Arizona
Canon 5D Mark III + 24-105mm f/4 lens at 65mm: 1/10th of a second at f/11 on ISO 100
I was content to watch the blues and greys in the sky deepen with night coming. However, a break in the clouds to the west allowed for some color to break through and I turned my attention out over West Sedona’s forested cityscape.
West Sedona at night
Canon 5D Mark III + 24-105mm f/4 lens at 58mm: 2.5 seconds at f/11 on ISO 200
There was an uneven stream of traffic passing below me towards the airport and the lookouts around the mesa. Long exposures of cars driving up and down the road to the airport seemed to work well with this sunset.
Sunset and car lights in Sedona
Canon 5D Mark III + 24-105mm f/4 lens at 50mm: 128 seconds at f/16 on ISO 1600
Light trails up to sunset
Canon 5D Mark III + 24-105mm f/4 lens at 24mm: 30 seconds at f/16 on ISO 800
Sunset across the prairies
Fuji X100S with fixed 23mm lens: 1/45 of a second at f/11 on ISO 800
A few days ago, the clouds were anchored along the eastern edge of the Rockies all afternoon and I was not sure how the sunset would develop. Well, I guess I was sure that the winter sun would go down early and fast but what the light would do was the question.
Fuji X100S with fixed 23mm lens: 1/70 of a second at f/11 on ISO 800
I found myself on the edge of Springbank, west of Calgary, at 5:30 and the clouds had stretched east across the prairies and were catching and filtering the rich glow from the sun now hidden behind the mountains.
Fuji X100S with fixed 23mm lens: 1/50 of a second at f/11 on ISO 800
It was a scene that didn’t require much input from me to create images. I did like the reflections on my car’s glass and hood so that provided an opportunity to play around a bit.
Fuji X100S with fixed 23mm lens: 1/60 of a second at f/11 on ISO 800
Fuji X100S with fixed 23mm lens: 1/40 of a second at f/8 on ISO 1600
Bobbi and I are off to Sedona, Arizona tomorrow for a week – this landscape session provided a nice warm-up for the spectacular red rock scenery I’m looking forward to photographing down there.
Mexican dawn in Los Cabos
Bobbi and I are in Cabo san Lucas with our children for a nice break from winter. We left just before a heavy blizzard so we were lucky with the timing. The mornings have been spectacular here as we are located on a lovely stretch of sand where the sun climbs out of the Sea of Cortez right in front of us. On this morning the silhouette of a fellow sunrise watcher tied the glowing pastels in the sky ahead of dawn to the rippled reflections and the beach.
Cotton Candy
Fuji X100S: 1/30 of a second at f/8 on ISO 800
I couldn’t help but think of the carnival ground food staple when I was photographing at dawn a couple of days ago.
Landscapes in the Khutzeymateen
Justifiably, the Grizzly bears I spent time watching in the Khutzeymateen cast a long shadow and much of my time there and since returning has been spent thinking about them. I have to say that even if I had seen no wildlife, the scenery in the Khutzeymateen is brilliant and I would have been able to fill my memory cards with landscape imagery.
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The inlet is relatively narrow, running roughly a mile wide for most of its length. The mountains rise steeply up from the water, blanketed in most places with dense rainforest. The trees are broken up by chutes, large and otherwise, where the snow has conspired to avalanche and by areas where the barren rock has prohibited the forest’s advance.
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Throughout the day, chains of mist evolve across the mountainsides. Whether under a leaden sky or in bright, open sunshine, these ethereal cousins to clouds continue unabated. It was a true pleasure to just relax and watch them travel past. While looking for the valley’s wildlife, I enjoyed picking out details along the coast as we motored past in the little zodiac boat.
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On the second to last afternoon, the rain abated and the sun lit up the valley a little before night stepped in. It whispered of great weather and that held true for the next couple of days.
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We sailed a few miles westwards towards the mouth of the inlet on the last evening. The light was warm, so was the air – a nice time to photograph off the bow.
That night, the moon was full and when it cleared the ridge above the cove, it was a beautiful scene to behold.
The last morning, dawn was spectacular.
Sunrise over the Trans-Canada Highway
A co-operative cloud anchored itself just above the horizon as dawn broke west of Calgary. I set up in the dark on the Jumping Pound overpass with my camera and tripod. When the sunlight started to paint the clouds, I liked how it contrasted with the vehicles and the lines on the road.
Among the clouds at Wedge Pond
I was up in Kananaskis a few days ago to explore the recently opened stretch of Highway 40 up to the Highwood Pass. Leaving home in the dark, I arrived at Wedge Pond just as light was creeping into the eastern edge of the sky.
We had several days of rain preceding this visit so I was unsure what the weather would be like in the mountains. The reports called for partly sunny with showers. From experience, that can mean anything from empty blue skies to heavy, wet gray clouds. I don’t mind either so I was happy to head up and find out. That morning the mist was swirling above the pond and rising up to meet the low hanging clouds that were stuffed into the valley. I trotted down to the water’s edge and moved along keeping an eye on Mount Kidd. The mountain catches the early pre-dawn Alpen glow and can be spectacular right through sunrise. The view over Wedge and up to Kidd whispered of something good that might come and I was happy to move around, watching and waiting.
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Seven minutes later, pink light was hitting a few of the higher clouds. The lower clouds were breaking up and it seemed like a clear view of the mountain was coming forward.
It didn’t – the clean view was swallowed up by the clouds as the rich colours on Mount Kidd came in. I didn’t mind at all as a few fleeting openings afforded beautiful views of one or two of the peaks for the next couple of minutes.
I have not had such a dynamic encounter with the weather up at Wedge Pond and I had a great time. It was fun to play around with the moodiness under the clouds balanced (and thrown out of balance) with the sunrise opening above. I’m enjoying the late resurgence of summer we are enjoying but I found myself looking forward to the fall colours that always look so wonderful in this special place. I will be there and would be very happy if these clouds returned then too.
Moonlight over Mount Rundle
Canon 5DIII camera with a Canon 17-40mm lens: 80 seconds at f/11 on ISO 800
During the tail-end of the full phase of August’s blue moon I went to the edge of the first of the Vermilion Lakes just west of the Banff townsite and set up for a night of long exposures. I drifted in and out of sleep but my timer remote stayed awake and kept running across the dark hours of the night. The clouds raced across the sky under pretty steady winds. With the longer exposures, they were stretched out and occasionally lent a mystical quality to the images.
Canon 5DIII camera with a Canon 17-40mm lens: 658 seconds at f/11 on ISO 400
Canon 5DIII camera with a Canon 17-40mm lens: 80 seconds at f/11 on ISO 800
As it drew closer to the morning, the land started to brighten and one of the last images revealed more of the scenery.
Canon 5DIII camera with a Canon 17-40mm lens: 238 seconds at f/11 on ISO 1000
A blue moon in the Khutzeymateen
Canon 5DIII camera with a Canon 500mm lens: 1/1000th of a second at f/4 on ISO 2500
On the last night in the Khutzeymateen there was a short break in the clouds right as the full moon was clearing the tree tops across the bay. This was the fourth moon of the season earning the distinction of being a blue moon. It seemed an appropriate way to end a spectacular visit to this wonderful inlet.
Lightning strikes on the prairie
Canon 5DIII camera with a Canon 24-105 lens: 6.0 seconds at f/6.3 on ISO 800
(click on any image to open a page with a higher resolution version)
A couple of nights ago, lightning was being thrown around by several large storm clouds as they spread out and rolled over the prairies. After a spectacular sunset in Kananaskis Country earlier (the image below), I had just drove out of the mountains when I saw these strikes lighting up both the fields and the clouds.
Canon 5DIII camera with a Canon 17-40 lens: 1/160th of a second at f/5.6 on ISO 800
I ended up pulling off of the Trans-Canada Highway at Hermitage Road to watch this summer performance. It was just before 11pm when I set up my camera along a fence which was busy splitting up a meadow of wild grass. The moon was out and waxing near full so the land was gently lit up.
Canon 5DIII camera with a Canon 24-105 lens: 2.5 seconds at f/5.6 on ISO 1600
It was warm but the mosquitos compelled me to put on a light jacket. When a breeze came up around midnight, it was a perfect night to be outdoors.
Canon 5DIII camera with a Canon 24-105 lens: 10 seconds at f/8.0 on ISO 1600
Two hours flew by largely unnoticed before the storms had moved out of view and I decided to head home.
Canon 5DIII camera with a Canon 24-105 lens: 6.0 seconds at f/6.3 on ISO 800












































